12.06 — Yung Innanet (kayos) + VX Underground#

The Holy Book’s most violent passage borrows lyrics from true colors, a track by Yung Innanet (alias kayos), original sysadmin of VX Underground. Yung Innanet died on October 18, 2025 by firearm suicide.

1. Identity#

The news of his death wasn’t mainstream-media headlines, consistent with Yung Innanet’s underground profile. It is, however, public within his scene: confirmed notably by tweets from YTCracker and Yung Innanet’s widow. There’s no point dwelling further — this mention exists only to explain a Holy Book quote that wouldn’t make sense without it.

2. VX Underground#

Definition#

VX Underground is an organization and website dedicated to archiving malware samples and distributing underground literature on the topic. URL: vx-underground.org

Source: vx-underground — Wikipedia

Importance#

VX Underground filled a void:

• Old malware-archive sites (vxheaven, etc.) had closed or lost activity.
• Cybersec researchers needed publicly accessible samples for analysis.
• No reliable academic centralization.

VX Underground became, in a few years (2019-2025):

• The reference for malware researchers.
• An influential Twitter account (real-time commentary on major attacks).
• A historical literature repository (hacker zines, hard-to-find academic papers).

kayos / Yung Innanet’s role#

He was the original sysadmin who set up the infrastructure. Hosting, DNS, torrents, distribution. Vital aspect of such a structure (technical moderation of malicious content is non-trivial: we’re literally talking about hosting viruses).

He was also one of the technical voices of the VXUG community on Twitter, contributing to the culture around the project.

3. Music#

In parallel to his tech role, kayos produced music under the pseudo Yung Innanet. Style: digicore / hyperpop / rage rap, an underground 2019-2025 subgenre, heir to SoundCloud rap and lo-fi experimentation.

Lyrical tone: rage, self-destruction, hard drugs, tech irony. Consistent with digicore, a genre where scream and glitch are stylistic tools.

4. The quote picked up by Ocarina#

In its current version, the Holy Book directly quotes the lyrics of true colors (in English, caps preserved):

THE FUCK YOU THINK THIS IS?
You HOLLOW!
YOU HOLLOW, YOU UNDERSTAND ME?
YOU’RE WORTHLESS, YOU’RE FUCKING TRASH!

(btw: RIP, DG descendant…)

The link on the block points to the track: SoundCloud — queed-inc/true-colors
It’s the cultural bridge connecting the manifesto’s quotes (Lulzboat, Cryptoilluminati, YTCracker, Yung Innanet): all belong to the same DG lineage.

The French pivot#

The raw English block is followed, in the Holy Book, by a French block centered and written in caps — the translation-extension that prolongs the invective by addressing the slipologue by name:

ON VA TE REMPLACER ET TU RETOURNERAS HARCELER TES PAIRS SUR DOTA ET TE BRANLER SUR DES MACROS VBA COMME UNE MERDE!
PUTAIN D’INCOMPÉTENT QUI NOUS EMMERDE!
PUTAIN DE PARASITE!
PUTAIN D’INCAPABLE!
YOU FUCKED WITH US!

The last line — YOU FUCKED WITH US! in italic English — closes the sequence with a direct echo of the Don't fuck with us mantra from the carding/defacement scene (YogyaCarderLink, see 05-indonesian-hackers.md). The shift from future conditional (don’t…) to past (you fucked…) is the rhetorical pivot: we warned you, you did it anyway, now own up.

Again, references to this mantra also appear in another YTCracker track, we are vulnerable:

Can you fuck with us?
Can you deploy toys rubber duck with us?
Can you destroy noise on a NUC with us?
More importantly, can you make a buck with us? (hmm)

we are vulnerable, YTCracker, 2025

Analysis#

The Holy Book’s author didn’t translate — he borrowed Yung Innanet’s voice for the raw cry, then continued in French to address it personally to his target enemy (the slipologue DOTA + VBA). It’s a four-tiered literary construction, each tier coming from a distinct scene (digicore / DG / IRC pamphlet / Indonesian carding).

5. Why this quote, in this spot#

The quote falls in the Holy Book’s “First feedbacks” chapter, right after a buildup of invective against the “slipologues” who want to dictate to the author what he should do:

1. Setup: the author lists the counter-proposals received ("rewrite in Rust for performance", “drop typing”, etc.).
2. Climax: the true colors passage, a verbal explosion borrowed from Yung Innanet.
3. Signature: (btw: RIP, DG descendant…), the author signs his borrowing — he isn’t stealing.
4. Pivot: French extension addressed to “ON VA TE REMPLACER ET TU RETOURNERAS HARCELER TES PAIRS SUR DOTA…” → AI will replace these slipologues, exactly as the author demonstrates with ocarina-with-ai-example.
5. Refrain: YOU FUCKED WITH US!, YogyaCarderLink echo.

The quote’s tone is essential: it’s the owned rage of a creator who was told for years he was on the wrong path. Not gratuitous rage: a cathartic rage that closes a long patience setup documented throughout the chapter. Probably something like 20 years of anger, 20 years of being called “autistic” and staying silent.

6. Selective references#

Ocarina’s author chose this quote knowing who Yung Innanet was. A coded tribute:

• To a respected technical sysadmin.
• To a rage / digicore musician, who was talented and beloved.
• To a person who built the infrastructure of an important cultural project (VXUG).
• To a tragic life.

That this passage is the Holy Book’s rhetorical climax is no accident. It’s the passage where the author goes farthest in the invective, borrowing the voice of someone who can no longer speak and whose death rattled the entire community.

It’s a form of respect and transmission.

7. Lineage with Ocarina#

The ethics are the same: build well, off the spotlight, addressing those who understand, and accept not being understood by the others.

RIP kayos, this is a tear in the fabric…

“I don’t have an answer but I have many more questions,
My life is like an RPG because I’m steady questin’”

Atmos - Missing Friends